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Lirik Lagu Luke davis - 6. Blues - 6.1. Influence From Negro Spirituals


By: Admin | Artist: L luke davis | Published: 2024-02-07T06:35:43:00+07:00
Lirik Lagu Luke davis - 6. Blues - 6.1. Influence From Negro SpiritualsLirikku.ID - Lirik Lagu Luke davis - 6. Blues - 6.1. Influence From Negro Spirituals: Halo Lirikku.ID, Dalam konten ini, kami menyediakan chord gitar untuk lagu "Lirik Lagu Luke davis - 6. Blues - 6.1. Influence From Negro Spirituals" yang dinyanyikan oleh Toton L luke davis. Dengan chord yang disajikan, pemula atau penggemar musik dapat dengan mudah memainkan lagu ini dengan gitar mereka sendiri. Kami menyajikan chord dengan akurasi tinggi sehingga pemain dapat mengikuti alunan musiknya dengan baik. Juga, kami akan memberikan informasi tambahan mengenai lirik lagu dan mungkin beberapa tips untuk menyempurnakan permainan gitar. Konten ini cocok untuk penggemar musik yang ingin belajar lagu baru atau bagi mereka yang ingin menikmati kesenangan bermain musik dengan gitar. Silahkan disimak Lirik Lagu Luke davis - 6. Blues - 6.1. Influence From Negro Spirituals Berikut Dibawah ini untuk Selanjutnya.

ellison (1989) took blues’ precedence over any other black music genre as a close descendent of african music because of the common patterns and lyrics based on african models. the patterns included characteristics such as call and response, rhythmic counterpoint, polyrhythms, melodic and harmonic sophistication, slurred and flatted notes, melisma and virtuoso instrumental performances (ellison, 1989). its chronological origins, much like jazz, are not as clear-cut as other genres under the “black music” label. the musical origins are less obscure, however; there are clear examples of similar lyrical content taken from negro spirituals and work songs, along with the melisma of gospel music. where one branch of the spiritual tree lead to more upbeat march music and subsequently ragtime and jazz, the pain and suffering of the slaves took a different root into blues. above all the musical elements, the blues were fundamentally about a “feeling”, with the music being a representation of this. this “feeling”, of course, came from the pain and strife of the african slaves, taken from their homes and subjected to harsh conditions, being forcibly stripped of their ident-ties and cultures. blues music was something of a “compromise”, with the griots telling their trouble tales with the banjo, said to be related to the african kora or xalam (oliver, 2001)


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